ABOUT

Rick Edinger (he/they) is a proud queer AAPI music director, vocal coach, pianist, educator, and recovering actor based in New York & Pittsburgh. 

Edinger most currently serves as music supervisor/ vocal arranger/ conductor/ Keys 1 for The Untitled Unauthorized Hunter S. Thompson Musical by Joe Iconis (Christopher Ashley, director), which had its world premiere at La Jolla Playhouse in Summer/ Fall 2023. The production will continue development in it’s East Coast premiere at Signature Theatre Arlington in Spring 2025. Edinger will reprise his role as Music Supervisor/ Conductor of Trading Places by Thomas Patrick Lennon, Alan Zachary, and Michael Weiner (Kenny Leon, director; Fatima Robinson, choreographer) in a Pre-Broadway Workshop in Fall 2023. Additionally, he will serve as music director of The Brass Teapot by Chaz Cardigan, Erik Kaiko, Tim Macy, and Ramaa Mosley (Catie Davis, director) at the National Alliance for Musical Theatre’s Festival of New Musicals at New World Stages in October 2024.

Other recent credits include:

• Music Director of Joe Iconis’s new musical, The Unauthorized Hunter S. Thompson (workshop), directed by Christopher Ashley at La Jolla Playhouse.

• Music Director/ Conductor of the pre-Broadway workshop of JOY by AnnMarie Milazzo and Ken Davenport (Casey Hutchins, director; Andy Einhorn, music supervisor), followed by the world premier at George Street Playhouse.

• Music Director for the world premiere of Tom Kitt, Brian Yorkey, and Kwame Kwei-Armah’s The Visitor at The Public Theater in New York (Daniel Sullivan, director; Lorin Latarro, choreographer) starring David Hyde Pierce and Ari’el Stachel.  

• Music Supervisor of In the Mood by Karen Hartman (Kenny Leon, director),

• Music Supervisor/ Conductor of the pre-Broadway workshop of Trading Places (Kenny Leon, director; Fatima Robinson, choreographer).

• Music Director/ Keys for New City Music Theatre’s inaugural production of Songs for a New World at Radial Park in New York (Miles J. Sternfeld, director; Ahmad Simmons, choreographer) starring Nancy Opel, Liz Callaway, Bonnie Milligan, Christy Altomare, MK Morrissey, Bre Jackson, Ximone Rose, Grace Stockdale, Jason Gotay, Jay Armstrong Johnson, Michael James Scott, Kyle Taylor Parker, et al. 

• Associate Music Director (Andy Einhorn, Conductor) for the Pittsburgh Symphony Orchestra’s Fiddler on the Roof: In Concert starring Shuler Hensley and Anne L. Nathan.

• Music Director for the developmental reading and industry presentation of Mizer and Moore’s new musical, The Amazing Mr. X, starring Kate Baldwin, Krystina Alabado,  Alexander Gemignani, & Nik Walker.  

• Music Director of the Carnegie Mellon University School of Drama’s production of Stephen Schwartz’s Godspell (Tomé Cousin, director).

• Music Director of Carnegie Mellon University School of Drama’s spring production of Natasha, Pierre, and the Great Comet of 1812 with director/ choreographer Tomé Cousin.

Edinger serves as the Area Chair for the Acting/ Musical Theater department & Associate Professor of Musical Theater at Carnegie Mellon University School of Drama. For the School of Drama, they have served as Music Director or Music Supervisor on A Little Night Music (Ethan Heard, director), Elegies for Angels, Punks, and Raging Queens (Gary Kline, director), Natasha, Pierre, & the Great Comet of 1812 (Tomé. Cousin, director) Godspell (Tomé Cousin, director), Cabaret (Tomé Cousin, director),Into the Woods (Matthew Gardiner, director), and HAIR (Jason A. Sparks, director), as well as Vocal Coach/ Music Advisor for A/B Machines (Phillip Gates, director).  Additionally, he serves as vocal coach for the music theater program, teaches the Musical Theatre Auditions course, and annually music directs the actor industry showcase in New York and Los Angeles.

Edinger gives masterclasses in musical theatre throughout the United States and serves on faculty for ArtsBridge and The Southeastern Summer Theatre Institute. In the 2016-2017 season, they served as vocal director for Hunter Opera Theatre’s performance of Kristin Chenoweth’s My Love Letter to Broadway at the Lunt-Fontanne Theatre. He has been a guest music director at New York University Tisch School of the Performing Arts and served on faculty at Shenandoah Conservatory of Shenandoah University, The County College of Morris, and The College of Saint Elizabeth. Other institutions and projects include The Public Theatre (NY), La Jolla Playhouse, Alliance Theatre, Signature Theatre Arlington, George Street Playhouse, New City Music Theatre, Bronx Opera, Coópera: Project Opera of Manhattan, Merry-Go-Round Playhouse (The Rev), Shenandoah Summer Music Theatre, Southeastern Summer Theatre Institute, ArtsBridge, The City University of New York- Hunter College & Brooklyn College, and many more. 

Edinger frequently works as a collaborative pianist with Broadway performers and singers from the Metropolitan Opera, English National Opera, Santa Fe Opera, Los Angeles Opera, San Francisco Opera, and more. As a vocal coach in New York for nearly 20 years, Edinger’s former and current clients have performed on Broadway, Off-Broadway, on national/ international tours, and in regional houses across the globe. He maintains a private studio as vocal coach in New York & Pittsburgh with his partner, Giovanna Reyes-Mir.

As a strong advocate for the development of new works, he plays a large role in the National Alliance for Musical Theatre’s (NAMT) annual endeavors and has served on the NAMT Board of Directors since May 2021.  For the National Alliance for Musical Theatre’s annual Festival of New Musicals, Rick has served as consultant on Wonder Boy by Jaime Jarrett (directed by Bo Frazer), MAYA by Cheeyang Ng & Eric Sorrels, Hart Island by Danny Larsen and Michelle Elliott (directed by Raja Feather Kelly), The River Is Me by Troy Anthony and Sukari Jones (directed by Schele Williams) and Interstate by Melissa Li and Kit Yan (directed by Jesca Prudencio).  Edinger has also served as a consultant on the Pittsburgh Civic Light Opera (PCLO) New Works Literary Team.

Their children’s musical, Alice, written in collaboration with Joe Barros (Artistic Director, New York Theatre Barn) and based on Lewis Carroll’s Alice’s Adventures in Wonderland, recently debuted at Weathervane Playhouse (VT) in summer 2018 and played a sold-out run in New York with Out of the Box Theatrics.  The Out of the Box Theatrics production of Alice was recognized by the Stage Directors and Choreographers Society was recognized as a “Standout Moment” of the 2018-2019 theatre season for its immersive environment that featured a cast of actors with disabilities.

Edinger began his career as an actor, appearing in the 2004 Tony nominated Broadway revival of Pacific Overtures (dir. Amon Miyamoto) and the Broadway benefit concert production of Children and Art: A Tribute to Stephen Sondheim on the Eve of his 75th Birthday (dir. Richard Maltby, Jr.). Regionally, they have performed in Symphony Space’s Wall to Wall Sondheim, Roundabout Theatre Company’s 40th Anniversary Gala at Chelsea Piers, Merry-Go-Round Playhouse, Mount Washington Valley Theatre Company, and many houses across the United States and Europe. His television appearances include As the World Turns, Love Monkey, and Starved. They were featured on the 2004 Broadway revival recording of Pacific Overtures with PS CLASSICS and Wall to Wall Sondheim with XM SATELLITE RADIO.

Edinger trained at Manhattan School of Music, Cleveland Institute of Music, Brooklyn College, and Hunter College. He has studied piano with Gerardo Teissonniere and Geoffrey Burleson and studied voice with Mignon Dunn, Joan Caplan, and Maitland Peters. They are proud member of the American Federation of Musicians (Local 802), Actors’ Equity Association, the Screen Actors Guild- American Federation of Television & Radio Artists, and Musicians United for Social Equity (https://museonline.org/profile/rick-edinger/).